The biggest blur around the 75% tax “refurbished”

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The government is struggling to define the contours of the future tax on incomes above one million euros per year: Jer me Cahuzac spoke Sunday 6? January 1 “permanent” disposal while Pierre Moscovici inclined to “temporary special taxation.” During the presidential campaign, Fran? Ois Hollande had presented this super-tax as a temporary decision.

In his greetings to the Frenchman, the President announced that the outstanding contribution of 75% on high incomes censored on December 29 by the Constitutional Council would be restructured “in the same spirit.”

“TEMPORARY” OR “sustainable”?

Ministers of Economy and Budget have re? U mandate to define an alternative, but their interpretations differ. Sunday morning prompted the “Grand Rendez-vous” Europe 1/i-t??l??/Le Parisien in France today, the Minister in the budget, Jer? Cahuzac me, said that this would be included in the Finance Act 2014 “no later than the fall.”

Asked later on France Inter, Pierre Moscovici discussed the choice between “several legislative vehicles” (“There may be something other than a Finance Act”) and insisted that Jeremiah “temporary” nature of the tax, there? I Cahuzac spoke of a possible “permanent” position.

“Or can a temporary stay – two years – as far censored, or can be the term of office or why not to be beyond the term of office and a measure entirely sustainable?” Said Minister delegated budget, incurring the wrath of UMP Laurent Wauquiez, who criticized him Sunday “persist in his error.”

The idea on the table is that of “temporary special tax, for those who have significant wealth,” it is necessary “to ensure that this contribution takes that lasts the crisis,” argued Pierre for his part Moscovici. Is a contradiction between the services of Bercy.

“ON A SHORT TIME”

Before December 20 by the opposition, the “Wise Men” have held that that provision struck the tax households fa? Based on unequal distribution of income between spouses pleased t that of their total.

Asked about the possible redevelopment parameters (rate adjustment, corporate tax, not people …), Pierre Moscovici was evasive: it is necessary to “ensure that certain wages, salaries that are out of the ordinary, which can shock, which can be regarded as hyper-inequalities are discouraged or they are taken into account as part of the company. ” “We have a little time to” find, said the minister.

Tribute to filmmaker Jean-Henri Roger after his disappearance – best coffee grinder

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Jean-Henri Roger suddenly passed away on the night of New Year’s Eve at the age of sixty-three years, Saint-Cast-Le-Guildo in Brittany. at a time when the New Year is celebrated, his heart stopped, leaving us stunned, and sad … We lost a colleague, a filmmaker, but also a friend and a comrade in struggle as there are few.

Read obituary: Jean-Henri Roger, uncompromising filmmaker

Tireless activist, ever generous with his time, his energy and intelligence when it came to defending a just cause he was, he embodied what the left has the best French home: generosity, the insolence, outrage at injustice, resistance to established authority, support the poor, the constancy of commitment, the taste of the collective and democracy, certainty “that more is better that alone … “. His political commitment was exemplary and we would like here to share what we have learned.

“UNITED WE ARE STRONGER”

In this environment where everyone is often pushed to believe that the competitor is a colleague, Jean-Henri had the taste of sharing and collective action. Aware that the union in the fight is a prerequisite for success, he put a lot of energy to live associative structures as Cin??lutte the SRF (Society of Film Directors) or to participate in the creation of the ACID ( Agency for Independent Film Distribution, association directors who choose, defend and help spread the independent film) or BLOCK (Organizations Liaison Office of Film, which brings together independent actors of the film industry) .

In the same logic, deeply convinced that director can not ignore the fight all the technicians and actors involved in the creation of a film, John Henry was also fully invested in the struggle of the entertainment . Many of us remember his warm welcome to all structures that animated: he considered that a club could not be denied and that a truly democratic organization belongs to all those who want to work there.

There were many more young filmmakers to make their first steps in such organizations under the eye of Jean-Henri benevolent. Many were also passionate about the courses students, he still gave the last few days at the University of Paris VIII, where he ma? Be lecturer in Film Department, where he was again one of the founders.

“THE MOVIES ARE NOT PRODUCTS”

Jean-Henri has always encouraged us not to sit helpless and shocked witnesses drifts “market”, attempts leveling creative business and financial television of all kinds. Convinced that the films are works unique, expressing a personal point of view and free, he is constantly beaten so they do not become mere consumer products enslaved to the logic of profitability.

Jean-Henri was before everyone, the first to understand the danger posed to culture the GATT and MAI at a time when nobody had per? U what is playing in these destructive texts which tended slyly into goods all the works of human activity … He was heavily involved in the mobilization of filmmakers from all over Europe in the battle for the defense of “cultural exception”. With the same consistency, popularized in Paris and supported the struggle of South Korean filmmakers, when the signing of a bilateral agreement with the United States led? Have to destroy their model of film production.

Jean-Henri fought with others to understand and enforce the precious “diversity clause” Canal Plus, which requires the chain is to reinvest a portion of its profits in the production of films with small and medium budgets These films “authors” as “Louise Wimmer” Cyril Mennegun, “Tomboy” by Celine Sciamma, or “The Class” by Laurent Cantet, Palme d’Or at Cannes, which does not exist or very difficult without this clause and sorely miss our cinematography.

“THE CINEMA IS NOT AN IVORY TOWER”

John Henry did not live the cinema in the comfort of an ivory tower. He conceived his work in tune with the company, in the heart of the world. That is why he was also engaged from the beginning in the fight of “undocumented”, actively participating in three films co-directed by filmmakers gathered in the Collective filmmakers for “undocumented”, accompanying their fight with all the action on the ground that it involves. This was Jean-Henri Roger, our friend. In these troubled times when the French “model”? Ais film that helped forge is challenged on all sides, we remember the friendly? Ons that we have professed in the blue smoke of his Gitanes . They will serve as a benchmark in the storms ahead.

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De Palma returns to the origins of the world – best rated kitchen faucets

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Six years since Brian De Palma had left a black screen, lightning streaked through the memory of his best films, Scarface L’Impasse, through the cult of the Phantom Paradise. Released in 2007, the controversial Redacted retracing? Has, in different points of view, abuses of a group of American soldiers in Iraq.

Today, Passion is another perverse war films that represent the New Hollywood. It pits two collaborators in the cold and disembodied a multinational Berlin decor. Vampirism, desire, and vice humiliations feed a deleterious seduction game where manipulation and misrepresentation of appearances redistribute constantly r? Them.

Film Love Crime Alain Corneau, released a few days before his death, in 2009, Brian De Palma shot an erotic thriller that gives pride to women. This is undoubtedly the same as the feminist author who, at age 72, returns to its original movie obsessions: the twins, voyeurism, playing masks.

In the late morning Paris where it occurs in an impersonal office, filmmaker, husky, lost his voice a little, but not his wit. He launches into a mocking diatribe against “men who know nothing about anything, but always have an opinion on everything,” the more so when it concerns his film. A female point of view seduces especially since, according to him, the spectators are more likely to enjoy

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Club series, a serial story

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Today Club Series is the only chain? Do French? Comfortable specializes in the distribution of series. For 20 years, she offers, from Sunday, March 24 for one month, a special program with many unpublished. On the menu: “NYC 22,” produced by Robert De Niro, who is attached to the daily life of six young police officers (see page 15), “Suits, lawyers custom” and its unusual duet (from April 1), the scary pranks “American Horror Story” (already seen on film + chill) or Season 2 of “Call Me Fitz” favorite programmers (April 14).

The novelty has not always been the hallmark of this chain? Only created in 1993 by TF1 and M6. Indeed, at its launch, Club Series mainly broadcast series “vintage”. But in the late 1990s, she opted for more modern programs, including “Oz”, “against Buffy the Vampire Slayer” and “Stargate”.

After a loss of audience in 2010 and 2011, the chain is now between 50 000 and 100 000 viewers per evening. The Deputy Director General, Laurent Delorme said: “We are closer to our highest level, that of 2008, while the logic would have wanted it down with the arrival of each of the ties? TNT and the development of the pay offer. ” In this ultra-competitive environment, where the series became banners and generational markers for each cha? Do, Club Series “benefits from the expertise and sometimes products TF1 and M6,” says Guillaume Thouret CEO. “Medium”, “Dolmen” or “Lost” and are part of this catalog from each of the two donkeys private.

? The grid chain is now organized into “three blocks”: “Unpublished, brands that have been proven, and more demanding programs, such as” Hung “,” Damages “and” Mad Men ” “said M. Delorme. The series niche less likely to drain the hearing, were gradually removed from the antenna. And if “s??riephiles” can still find unique, it is recognize? Be the programming Club Series is a showcase for reruns hand. The first season of “New York 911″ is currently broadcast, for example, was on the air on France 2 in 2001 before moving on 13th Street and France 4 …

Twenty years ago, the chain could not rely on a series weaned on major cha donkeys public. Today’s hearing Club Series proves dependent serials offered. “There are a few more women than men, but at the time” Stargate “series was the flagship of the chain is the target was more masculine,” analysis of Mr. Delorme who recognize t that the public remains committed to the exclusive series and “brands which each other donkeys have less access.”

The second screen is gaining – best office chairs

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To introduce “the first true second screen experience in France,” in the words of the string are, TF1 could not do less? Nikos Aliagas and Gilles Birch, the presenter the “20 hours”, came to play, Thursday, Jan. 17, the r? sponsors of the luxury for the new service in the first heat? do. A new service called Connect, which is aimed at those who are equipped with a second screen (tablet, smartphone or computer). They are indeed more likely to have eye riveted on the web face on the small screen: 76% of Fran ais would use a second screen while watching a TV program, according to a CSA-NPA Conseil study?.

These users exchange especially on social networks and each donkeys trying to retrieve and organize these exchanges. At the forefront, TF1 around its MyTF1.fr application claims 15 million fans and a social activity that generated 13 million tweets in 2012.

Complementary content

One of the most spectacular new Connect is called Instant Replay. The tool allows you to instantly review any extract – limited to 30 seconds – which is the direct passing to the antenna. Better users can easily publish the extract on their wall, their blog, and distribute it on Facebook or Twitter.

The chain does not count as doing double blow. Delivering content, MyTF1 and enriches the offer of networks and makes each of its users a “brand ambassador” in the words of Olivier Abecassis, CEO of e-TF1. The goal is obviously to attract online viewers who have not yet would look TF1, while “strengthening? Ing social ties,” according Regis Ravanas, deputy director general of TF1 Group and president of e-TF1.

Another new interface allows to tweet and read messages without leaving live on the second screen, so the user is less likely to be caught in another conversation, another topic. Chapter information, Connect offer complementary content and the ability to react directly to the topics in the newspaper. On the occasion of major sporting events, users will be asked to participate in interactive games and live.

If the info and sports lend themselves well to highlight the new practices of viewers, it is the reality that, however, remains the most popular on the second screen. In 2012, for example, the top five hearings live tweets during transmission, four concerning this type of program – the fifth was the debate between the two rounds of the presidential election.

So, Connect should be launched Saturday, February 2 for the new season of his TV hook “The Voice”. Internet viewers will be able to test the power of Connect, and get into the skin of a fifth coach. For the sporty side, it will wait until March 26, with the match between France and Spain, qualifying for the FIFA World Cup.

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The comic art, this joke

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Pitre “,” clown “,” grotesque “: these words keep coming back in the Salvador Dali exhibition at the Pompidou Centre and its catalog It has between. other interests, he recalled how the artist was able to guffaw with extravagant costumes, grandiose poses, exacerbated his accent and absurd sentences. hard not to enjoy the film with a performance conceived by artist : off white porcelain service at the end of a wire from a high balcony of H such Meurice to dive into a bucket of liquid bitumen Difficult not to mention advertising for Lanvin chocolate and so many?. other public appearances, including those put in pictures Jean-Christophe Averty himself adept zany television.

This retrospective enshrine it as a place to do these tricks if Dali appeared in the comic exercises as the main predecessor of the current trend of creation: art that wants to make the audience laugh? This is the case of Jeff Koons, Urs Fischer, Maurizio Cattelan and Wim Delvoye, which also have in common be at the forefront of today’s most commented and exposed artists. And to be even more expensive than they are defended by collectors also known as Charles Saatchi, Fran? Ois Pinault, Eli Broad and Dakis Joannou, who buy and have publicly works where the grotesque and the scabrous go hand.

We remember when the surprise guest at the opening of the rooms Pinaul collection …

Tribute to Claude Nobs, founder of the Montreux Jazz Festival

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Finally, he will not have time to grow old. He was installed in his new cottage lift to suggest he had everything, even decline. ? Has made him laugh, to imagine themselves unworthy grandfather in the endless parties from his perch in r? Der cane in hand, to ensure the quality of the wine, then return to its electronic gadgets not to miss a single train. Claude Nobs loved walking her dogs in the solitude of the morning of Caux above Montreux. He still loved skiing – this is a fall that led, after a coma at his death, the strange death, he spoke freely. He even planned not to burden the lives of his loved ones, seek recourse to euthanasia if the need was felt. But Nobs died alive. After a final edition of the festival, the 46th for which he was particularly engaged and had planned to open a dance ballerina tutu or Queen of England, eternal jubilee of an Epicurean.

Should speak, and we will, of its contribution, international tributes, this crazy story: a cook Territet who became one of my very best of the world celebrated in music?. But what is rightfully ours, at this precise moment, is his incredible ability to receive. He welcomed in houses of wood, bo? Your jewelry to full locomotive miniature jukebox, sculptures and art from the worst taste possible. He served salmon, very red meat, fish from ponds nearby the old Bordeaux, heady alcohol, you resservait every moment to be s? R you do not miss anything. He spoke constantly questioned you, then you brought in the theater, the best seat aircraft imaginable to watch Miles Davis in 1991, in 1976 Nina Simone, Aretha Franklin in 1971. Claude Nobs, which is probably not anecdotal recall, was probably one of the best h? For your time.

LOS ANGELES, TOKYO BANGKOK

The more angry the more hairy the most absurd musicians, were transformed instantly mischievous kids when they landed in his eyrie. They soften in contact with this little guy who spoke all languages ??and crossing all backgrounds. Nobs was able to go to Montreux, a night of New Year, with David Bowie to distribute caviar poor. He was also capable of terrible anger: he called you and you dealt with all the names of rare birds for an article that was not his, before excusing himself as m me, you type in the back and concede, in a whisper, that he never grew up. Nobs was excessive. In a country that loves you does not work out nails. He slept in Los Angeles for a discount trophy woke Bangkok to swim, before getting bored and start to create a branch of the Montreux Jazz in Tokyo. It was cosmopolitan, yet so rooted that it sometimes gave the impression of never having left his birthplace.

Territet, February 8, 1936, Aquarius Aquarius ascendant. A bakery, battles Indians in the caves of the neighborhood, child in glorious palaces abandoned Punic Wars kilos of 78s Claude ranked with stars, a perfect childhood, good appetite things. He, with his land, the complex relationship of absolute gift. Nothing in the world, it would have left its Geneva, the mountains which wall the heart tee “station old English” Montreux’s asleep. Yet he led? Has almost every year the trustee, the township, authorities and even people passing he would run away, move the Montreux Jazz most grateful kingdoms. Claude Nobs wanted to be loved. And he still did not understand that he was. He knew the incredible courage, strength of conviction, which he had shown him the timid to force the fate of his corner of Lake.

PROGRAMS “armored”

Young man, committed the Office of Tourism Montreux, he broke down the door of the founders of Atlantic label in New York. The Ertegun brothers, he had not given the choice. If they had refused to help build a festival, it would still today doing their heels in their hallway. His first American nights he had spent in Chicago, he called the bluesman Willie Dixon he had tracked down the number, he went to listen to Muddy Waters, Howlin ‘Wolf, the bumpy trip in Plymouth, only one door worked. Claude had collapsed before dawn, worn by Dixon until an unlikely bed where he had dreamed all night that followed. They were long, compelling, brutal, those nights of the first Montreux festivals when the tiny radio talent spread over two days in 1967 gradually became a kind of compulsive bacchanal where most music lovers came? Born, everyone is exhausted with him. His audience, mostly made up of people who lived on the day, complained of delays, concerts dragged on, the last-minute additions to programs already shielded.

Claude Nobs could not imagine closing the door to an artist who was needed in extremis. To others, his entourage, develop schedules. Each year, before the festival, you showed on a digital tablet videos of the latest wonders he had crossed, strangers who would not bring a spectator but in addition he was prouder than any Diva . A Hungarian guitarist 14 years. A genius of Cuban piano. A band of drummers Ghana. Santana, his friend wanted to carnival on Main Street: no problem! Stephan Eicher was seeking Malian musicians, but also yodelling and why not an orchestra bargain! Why not get an evening that integrates the entire history of dance music with dozens of guests who come from all continents for one night? Why not. Nobs could not bear to be taken back to reason. He who had been a magnificent era when music was still money. It will not get used, the reign of savings.

VIDEOS IN SAFE

There was absolutely no offline, though. He was immediately seized that broadcasting is a key to its success. He filmed everything, every concert, to accumulate in his personal safe one of the greatest collections of twentieth-century music. He understood, too, that the music he was very strong ap – blues, jazz – not enough to his appetite and his aura. He was crazy about pop stars, show business which he understood the inner mechanics: interpersonal skills. He fetched Miles Davis at the airport in yellow Ferrari. He took care of Nina Simone, the worst moment of her life, when she called him from his Swiss exile and he ran home to change a light bulb. Claude Nobs, at the bottom of it, knew that DJ Bobo did not amount to Duke Ellington and BB King. But, without an ounce of snobbery and aware of the brand that he must defend, he invited all his greedy music feast. Although some zealots have called swing to the Hague Tribunal to demand that removes mention jazz at the Montreux Jazz Festival.

It was grotesque. Prince just arrived in Minneapolis, would he played standards in New Orleans in its opening concert Montreux if the festival did not initially recorded in his legend disks Bill Evans or Keith Jarrett? For rockers of all kinds, Montreux was a kind of initiation rite they wanted to be equal. Wylcef Jean, former Fugees rapper, arriving in the Stravinski Auditorium, was engaged in a touching revisits Creole jazz on a piano as he paced a dangerous thing. Nobs looked since its tiny houses, often alone, on a screen placed for him. Wild beasts shirts hanging on a hanger. And champagne which he did not necessarily affected. He was not fooled, nor pride or talent, he knew when a room would light up like a bush fire, he rose four seconds before the end to grab his golden microphone and announce a bunch of languages mixed at night, never did stop. And he seized the flight Quincy Jones, the producer par excellence, who spent summers in recent years in Montreux. He asked him to tell his life to an audience who listened to half. We do not understand always that Nobs invites artists who had experienced a time of glory and seemed to live by Montreux. It was a unique loyalty in this profession where passion sweeps tomorrow than yesterday.

Before his final festival, whose 46th edition there was no indication that she would be conclusive, we met him in his cottage. We ate on the balcony of the flat inou? S, listening to music now on Youtube, despite tens of thousands of records that cluttered his reserve. He spoke of all the movies he could not see his friend Thierry Amsallem with whom he had PACS, ten of Miles Davis in Montreux he took out a box. “This is a record of my time on earth, right?” Nobs, aged 76, was not wise. He still believed that we can postpone indefinitely the dawn setting does not. He was fully aware of what he had left, to Switzerland, to the world, but he easily persuaded that nothing is desire. In the end, this little upset cook had chosen a life of service.

Read also: the obituary of Claude Nobs, by Francis Marmande (in subscribers edition).

In China, the other traffic white powder – best sewing machines

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During their shopping sprees in Hong Kong, the mainland Chinese are not only hands on the Gucci handbags Louis Vuitton, Chanel and other luxury accessories. One of the most coveted shopping is … powdered milk for infants. For the tainted milk in China in 2008, which caused the death of several infants and poisoning of tens of thousands of others, the Chinese have more confidence. Bo? Your imported milk would even become quite a popular gift. The craze is such that Hong Kong, articles circulated in the popular press reports of duty reduced to eating boiled noodles, lack of milk powder available, “plundered by the Chinese” babies.

EVENTS “ANTIMULES”

Of Fear …

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The tale speech

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Presented by designer, Vincent Morisset, as a “film for computer” Blabla has been awarded in 2012 by the grand prize Grafika competition in the category “cultural site”. This interactive story explores the theme of human communication through six chapters. The cornerstone of the story is the Internet, which structure the story and brings it to life by his choice. The project, that looks like a children’s book, mixing traditional drawings, and 3D image capture movements of a puppet. “I’ve always been inspired by the free creations of the aesthetic,” says Vincent Morisset to justify the bias of this technical melting pot. Blabla is available in nine languages??, including Chinese and Japanese. Its creator is interested for several years in narrative potential of interactive creations. He has signed a pioneering clip for British Arcade Fire with the release of their album Neon Bible, released in 2007.

Three years after the earthquake, “Haiti is recovering,” according to its president – best rowing machines 2013

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On 12 January 2010, Ha? Ti was struck by an extremely violent earthquake. More than 250,000 people were killed, 1.5 million were displaced and the country as a whole was on his knees. Three years later, the president ha? Yours Michel Martelly praised the memory of the victims at a ceremony on Saturday, January 12.

“I bow my head in memory of the victims. I can still hear the loud cry of pain amputees families, wipe your tears Despite all the suffering, Ha? Ti rises,” said the head of state standing on a platform erected on the ruins of the presidential palace, which had collapsed the day of the earthquake. Members of the government, diplomats and officials attended a short ceremony punctuated by a bugle operated by the police ha? Yours.

“THE MAJORITY OF AID WAS spent by NGOs”

“A bunch of junk and piles of stones is everything January 12, 2010 left the palace of the people ha? Yours, but the flag is still standing tall and proud,” he added, promising to rebuild the building in accordance with the seismic standards.

When the head of state addressed his message to the nation, many Ha? Want is gathered in churches open for the occasion, which rose sad songs in memory of the victims.

See also Three years after the earthquake, Ha? Ti between tent camps and slums

The day before, Michel Martelly had deplored the operation of international cooperation after the earthquake. According to him, only a third of the aid was given to the government ha? Yours. “The majority was spent by NGOs for emergencies, but not for the reconstruction of Ha? Ti, he lamented, we do not ask for any help manage cooperation, but we must strike a balance . And we say that the best thing to do is to work with the government. ” In this context, it wants to review the international cooperation to achieve better results.

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